Tales from Da Basement – WIDB Narrowcasting Promotes Party

WIDB Narrowcasting Promotes Party
By Gary Goldblatt

1973 was my first year in the party business and I learned early on that relentless promotion was the key, preferably via two or more sources. One time, however, I successfully promoted a party with a simple yet effective plan involving one source focused on a particularly desirable audience.

I was sitting around the living room of Lewis Park 21A with my roommates, Bob Korch, Jim Kolo and WIDB Chief Engineer Ed Kasovic and we were discussing promotion for an upcoming party. Naturally, we wanted a good turnout, but specifically we wanted attendees of the female persuasion. Suggestions of posting flyers around campus or doing direct mail were rejected before I had a brainstorm: because we had control of what WIDB programming was being broadcast to any of the ten to fifteen station transmitters around campus, we could patch a commercial for the party just to Mae Smith and Neely towers, which at the time were populated solely by women.

1974, Lewis Park, 21A from left: Bob, Gary, Jimbo, Ed. Not pictured: Bingo.

So I produced a spot for the party. The main obstacle I encountered was in writing the copy. How does one make a C’dale-style blowout with nothing but beer, youknow and very loud music appeal to women? All I remember is saying something about (don’t laugh) the quality of the men at the party.

But as far as I know no air-checks exist of it being aired in Neely and Mae Smith.

It was more tedious to execute the plan than we anticipated. To run the spot it took two persons, one in production and one in Master, and if we were going to run this twice an hour for five hours, then Ed and I had to be there for five hours. We couldn’t ask anyone else from the station to help us, and we had stuff to do for the party. So we ran it five or six times on Friday, and came back Saturday for a few more.


Fast-forward to party night and, as usual, the first 43 guests were male. But then I noticed a group of women coming in, then another, then two or three more. I waded in, introduced my self, offered amenities and made conversation.

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Some “Beyond the Threshold” Flyer action

Beyond the Threshold was WIDB’s punk show that ran between 1985 and 1987. The show featured punk and hardcore, but also played plenty of garage rock, surf, and assorted other weird garage sale record finds. The first year the show ran after Midnight on Thursdays for an hour, but for it’s second year it graduated to the Friday 8PM slot and picked up a second hour. Once host Dave Landis graduated the show was retooled by co-host Dale Gardner under the name Threshold Bowl-a-rama and ran for another 2 years with new co-host Frank Simpson.

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These two flyers were both in the era before home computer graphics programs, done by hand using Zip-a-tone dry transfer letters and pictures from an old Life Magazine.

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The Kissing Twins in Chalk 2012

A bit of WIDB history lives on with the current generation in Carbondale. The station’s original kissing twins logo has been resurrected in recent years at WIDB (with the addition of “.net”) and here it gets the extra large sidewalk treatment.

Not sure what the backstory is on chalk drawing, but if someone with more info wants to chime in we’d love to give credit where credit’s due. As seen on WIDB.net’s FaceBook page.

Devo! Utopia! REM! and plenty more: it’s Heavy Rotation at WIDB in 1982!

Here’s a look at what WIDB was playing almost thirty years ago. This one is from the Ken Krause (Music Director) and Dan Manella (Program Director) era and includes many artists that were WIDB staples well into the 80’s and beyond. You can look at rest of the playlist (including the 1982 Year end top 20 as voted by the WIDB jocks) and plenty of other playlists over the years in the playlist archives.

For the record, “Gonzo” LPs received 8 cuts of play per 4-hour shift, Medium or “Emphasis” LPs–consisting of newer or not-as-strong artists- -had 5 per shift, and New & Recurrent (older Gonzo and select Emphasis) received 4. Records were moved to the back of the rack after airplay to assure diversity as well as minimize repetition